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Hidden Figures (2016) Movie Download











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Release :2016-12-25Runtime :126 min.Genre :DramaProduction :20th Century Fox, Chernin Entertainment, TSG Entertainment, Levantine FilmsCast :Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, Kimberly Quinn, Olek Krupa, Kurt Krause, Ken Strunk, Lidya Jewett, Donna Biscoe, Ariana Neal, Saniyya Sidney, Zani Jones Mbayise, Tre Stokes, Selah Kimbro Jones, Corey Mendell Parker, Ashton Tyler, Alkoya Brunson, Karan Kendrick, Jaiden Kaine, Gregory Alan Williams, Maria Howell, Arnell Powell, Crystal Lee Brown, Tequilla Whitfield, Dane Davenport, Evan Holtzman, Travis Smith, Scott Michael Morgan, Robert McKay, Joe Hardy Jr., Addison Rose Melfi, Gary WeeksCrew :Allison Schroeder, Theodore Melfi, Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams, Theodore Melfi, Margot Lee Shetterly, Theodore Melfi, Hans Zimmer, Pharrell Williams, Mandy Walker, Wynn Thomas, Missy Parker, Peter Teschner, Jeremy Woolsey, Renee Ehrlich Kalfus, Selena Evans-MillerVote Average:7.9 Count: 33Overview :The incredible untold story of Katherine G. Johnson, Dorothy Vaughan and Mary Jackson - brilliant African-American women working at NASA, who served as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn into orbit, a stunning achievement that restored the nation's confidence, turned around the Space Race, and galvanized the world. The visionary trio crossed all gender and race lines to inspire generations to dream big.Keyword :nasasexismbiographymathematicsracial segregationracismscientistspace raceblack womanu.s. space programdiscrimination1960s







Review 
I'm an engineer. I designed computers, I grew up in the south during the 1950s and 1960s. I was heavily involved in the space race at an early age and watched every launch and recovery on black-and-white TV. I never saw separate restrooms and drinking fountains for "colored" but they were there. I never rode on segregated public buses, but they were there and I knew it. This movie, "Hidden Figures," brings all of these worlds back to me. No, it's not a painstakingly accurate picture. NASA didn't have flat-panel screens back then. Communications between the ground and the Mercury capsules were not static-free. But a lot of this movie feels real. Very real.

The protagonists in this movie are three women of color working in one of the most unwelcoming environments they might hope to find: NASA Langley, Virginia, in 1961. As women, they were employed as human "computers" because they were less expensive and they got their numbers right. As "colored" folk, they got their own separate (and sparse) restrooms and their own, separate dining facilities. This was not America's shining hour, even in some place as lofty as NASA.

At the same time, civil unrest was rising in the towns. This is the time of Martin Luther King's rise to prominence. It's a time just before the rise of militant civil rights groups. It's a time when resistance to segregation and discrimination was still civil, but as the movie shows, that resistance was beginning to firm up and become widespread.

There are several reasons to see this movie: from a civil rights perspective; from a feminism perspective; from the perspective of the early space race when we lagged the Soviet Union, badly. If you lived during this time, see the movie to remember. If you were born later, see this movie to see what things were like. 
(RATING: ☆☆☆☆½ out of 5)

THIS FILM IS RECOMMENDED. 

IN BRIEF: A trio of fine performances empower an uplifting tale of tolerance and strength.

GRADE: B+

SYNOPSIS: Three African-American women overcome prejudice and use their talents working at NASA during the early 60's.

JIM'S REVIEW: Hidden Figures, a docudrama solidly directed by Theodore Melfi, tells the true story of three African-American women whose talents with numbers brought them together to work on the space program at NASA. Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) became the brains behind one of America's greatest achievements in history: the successful orbit of astronaut John Glenn (Glen Powell). Dealing with Jim Crow laws and discrimination due to their race and gender, these pioneers contributed to the Civil Rights movement. The film tells their untold story with much understated power. 

There are some intriguing unknown facts at play in the literate screenplay by the director and Allison Schroeder (humans called computers / outdated technology like the massive IBM machines / segregated book sections in public libraries, many African-American secretaries working at NASA, etc.) The script shows the racial inequities in the subtlest of ways.

Still, there is a bit of whitewashing over the more brutal aspects that occurred during the early 1960's era against the "colored" race. None of the violence is shown in gut-wrenching honesty. It's all a little too sanitized. and the lead characters come off a tad saintly. There also seems to be a large degree of fictitious composites with some of the supporting characters in order to create dramatic conflict for our trio of crusaders. These bigoted "white folk" come off more plot devices than as actual people. However, the story itself is always involving and handled extremely well. The end result may be more crowd-pleasing than realistic, but as entertainment goes, historical accuracy is second place to real enjoyment.

The lead actresses are superb. Ms. Henson, Ms. Spencer, and a beguiling Ms. Monáe create vivid characters and their chemistry is electric. One immediately roots for their inevitable success throughout the film. Kevin Costner, Jim Parsons, Kirsten Dunst, and Mahershala Ali co- star, and they all bring great nuance to their stock characters.

Mr. Melfi re-creates the turbulent times with a restrained vision. He never overdoes the injustice angle, although a little more anger may have more impact for this reviewer. That said, Hidden Figures is a film that finally recognizes the talents and determination of these African-American women who overcame obstacles in their everyday lives. The film deserves your attention. This is one of the most important feel-good movies of the year, with more uplift in their stories than the customary lift-off of a NASA launch itself. Go see it.

NOTE: The film score by Hans Zimmer, Pharrell Williams, and Benjamin Wallfisch added a nice R & B flavored vibe to the film. Especially strong was the theme use of the song Runnin' and closing credit song, Mirage, with Mary J. Bilge's powerful vocals. Very impressive. 
This movie brought back bad and good memories.

Growing up during this time period I can remember the segregated restrooms, lunch counters, separate entrances for colored people, and seating for colored people at the back of the bus. I can also remember the violence and changes that followed as segregation was slowly coming to an end.

I can remember the first attempts by NASA to orbit the earth, the loss of the first space capsule, and the flight of John Glenn even though it was cut short by a problem. The USA was headed to space and President Kennedy wanted to go to the moon.

This is an extraordinary movie depicting the lives of there colored women who though not known to most of the USA played an important role in the race to space. Considering the 50 plus years that have flown by and the space accomplishments of the USA, it is only fitting that these three women be now given the recognition they truly deserve. A great movie fro all to see who want a peek at the past and a look into the future. 
Hidden Figures is the story of three little known women who played a crucial role in the early days of the US space program. Taraji P. Henson, Octavia Spencer, and Janelle Monáe were all wonderful in their roles; each bringing specific personalities to their characters.

Taraji P. Henson is a mathematics wunderkind who is called upon to assist in calculating the math requires for launches and recoveries. A single mother of three daughters, she graciously and calmly works through the difficulties of being a lone black woman in a department full of white men in the racially segregated state of Virginia. Her calmness breaks in one scene and she wonderfully states, quite loudly, the obstacles she is forced to endure and overcome. This is quite a contrast from her normally calm dignity. As a side story, she is also involved in a burgeoning romantic relationship and she shows another totally side of herself - that of a shy, demure woman, which she carries off perfectly.

Octavia Spencer, a very strong actress, does a wonderful job as a black woman with the responsibilities of a supervisor that she is not allowed to have the title or compensation for. She deals with her supervisor, Kirsten Dunst, with patience and tolerance and delivers what I think was the finest line in the film in response to Dunst's comment that, "I have nothing against y'all." Spencer replies, "I know you probably believe that." Surrounding me in the auditorium was a subdued murmur of knowing assent and acknowledgment from the audience. Clearly, the black moviegoers all have had that thought, probably more often than one would like to think. As a white male, the sounds of the audience gave me pause and had great impact. That line, alone, made this movie worth seeing.

Janelle Monáe plays a woman with the talent to be a NASA engineer, who has to jump through hoops to get there. She provides the bit of lightness that keeps this film lighter than the topic may generally have dictated.

Without exception, the supporting cast excels - from Kevin Costner, the boss who just wants to get the job done and tolerates no impediments; to Jim Parsons, the engineer who always insists on following the rules - NASA's as well as his personal rules based on his biases; to Mahershala Ali, who plays Henson's love interest.

This movie is well worth viewing on many levels - as history, as a treatise on segregation and race relations, and as an example of how determination can overcome the most difficult of obstacles.

Not only was this an excellent film; it was also a film that I was glad I saw. 
"Hidden Figures" (2016 release; 127 min.) brings the story, "based on true events" we are reminded at the beginning, of three African- American women working at NASA. As the movie opens, we are in "West Virginia, 1926", where we see a young girl amaze everyone with her math skills, and she is soon offered a scholarship to attend classes for the gifted. We then move to "Hampton, Virginia, 1961", where we get to know the three ladies. They are having car trouble, and when a police officer drives by and checks what the problem is, he can hardly believe they all work at NASA (but does give them an escort). At NASA, the ladies are working at the "Colored Computers" section, but then one day, Katherine is asked to join the "Space Task Group", as the space race with the USSR is in full swing. At this point we're 15 min. or so into the movie but to tell you more of the story would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the second movie from writer-director Theodore Melfi (after the Bill Murray vehicle "St Vincent" a few years ago). Here he brings the larger than life (yet true) story of how these three ladies ended up playing an important, if not critical role, in the space race, in particular getting John Glenn into orbit, yet at the same time suffering from the racial segregation that was into place still in those days. The 'running joke' in the movie is that Katherine disappears time and again to run to the "Colored Ladies Room" which is 1/2 mile away from the Space Task Group. When one day confronted about her long absences by the agency's head, she boils over in emotion and anger and humiliation when she explains why (truly a chilling moment in the movie). Not long thereafter, the agency's head does away with the segregated bathrooms, claiming "Here at NASA, we're all the same color!" (the theater's audience erupted with a huge applause at that time, amazing). The movie truly is a mix of "The Right Stuff" and the horrible racial segregation and discrimination that was the accepted norm then. (Interestingly, "Hidden Figures" is set in officially segregated Virginia, just like that other recent and equally important movie "Loving" about an interracial couple's fight to get their marriage recognized in the late 50s/early 60s.) "Hidden Figures" is helped enormously by the heartwarming performances of the three lead actresses: Octavia Spencer, Janelle Monae (recently also in the equally excellent "Moonlight"), but most of all Taraji Henson as Katherine. Kevin Costner as the agency's head is okay too. Kirstin Dunst is barely recognizable as Vivian, another NASA employee. There are tons of great songs in the movie, both oldies from that era but also new tunes (sounding like oldies) penned by Pharell Williams (the score is courtesy of veteran Hans Zimmer). My only 'complaint', minor as it is, is that the movie's running time is a bit too long for its own good, and could've easily be edited/trimmed by 15-20 min.

"Hidden Figures" expanded wide this past weekend. The Sunday early evening screening where I saw this at was PACKED to the rafters, literally sold out to the very last seat. The audience laughed and cried, and when the end credits started rolling, gave it a thunderous applause. It blows the mind that the story of these "Hidden Figures" has never been brought to the big screen until now, but better late than never I suppose. In any event, "Hidden Figures" is HIGHLY RECOMMENDED! 

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